letícia carvalho
Visual artist and performer, live in Rio de Janeiro, Brazil.
Artista contemporânea residente do Rio de Janeiro, Brasil - desenvolve pesquisas sobre o corpo e suas possibilidades na arte contemporânea, performance e artes visuais.
letícia carvalho
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poeticasvisuais:

Art:
If every painting is the face of a uni-browed woman, it’s Frida.
Dappled light but no figures, it’s Monet.
If you see a ballerina, it’s Degas.
If everybody has some sort of body malfunction, then it’s Picasso.
Dappled light and happy party-time people, it’s Renoir.
If everyone is beautiful, naked, and stacked, it’s Michelangelo.
If you see a ballerina, it’s Degas.If it’s something you saw on your acid trip last night, it’s Dali.
If everyone in the paintings has enormous asses, then it’s Rubens.
it’s If the painting could easily have a few chubby Cupids or sheep added (or already has them), it’s Boucher.
If everything is highly-contrasted and sharp, sort of bluish, and everyone has gaunt bearded faces, it’s El Greco.
Source: imgur and boredpanda
poeticasvisuais:

Art:
If every painting is the face of a uni-browed woman, it’s Frida.
Dappled light but no figures, it’s Monet.
If you see a ballerina, it’s Degas.
If everybody has some sort of body malfunction, then it’s Picasso.
Dappled light and happy party-time people, it’s Renoir.
If everyone is beautiful, naked, and stacked, it’s Michelangelo.
If you see a ballerina, it’s Degas.If it’s something you saw on your acid trip last night, it’s Dali.
If everyone in the paintings has enormous asses, then it’s Rubens.
it’s If the painting could easily have a few chubby Cupids or sheep added (or already has them), it’s Boucher.
If everything is highly-contrasted and sharp, sort of bluish, and everyone has gaunt bearded faces, it’s El Greco.
Source: imgur and boredpanda
poeticasvisuais:

Art:
If every painting is the face of a uni-browed woman, it’s Frida.
Dappled light but no figures, it’s Monet.
If you see a ballerina, it’s Degas.
If everybody has some sort of body malfunction, then it’s Picasso.
Dappled light and happy party-time people, it’s Renoir.
If everyone is beautiful, naked, and stacked, it’s Michelangelo.
If you see a ballerina, it’s Degas.If it’s something you saw on your acid trip last night, it’s Dali.
If everyone in the paintings has enormous asses, then it’s Rubens.
it’s If the painting could easily have a few chubby Cupids or sheep added (or already has them), it’s Boucher.
If everything is highly-contrasted and sharp, sort of bluish, and everyone has gaunt bearded faces, it’s El Greco.
Source: imgur and boredpanda
poeticasvisuais:

Art:
If every painting is the face of a uni-browed woman, it’s Frida.
Dappled light but no figures, it’s Monet.
If you see a ballerina, it’s Degas.
If everybody has some sort of body malfunction, then it’s Picasso.
Dappled light and happy party-time people, it’s Renoir.
If everyone is beautiful, naked, and stacked, it’s Michelangelo.
If you see a ballerina, it’s Degas.If it’s something you saw on your acid trip last night, it’s Dali.
If everyone in the paintings has enormous asses, then it’s Rubens.
it’s If the painting could easily have a few chubby Cupids or sheep added (or already has them), it’s Boucher.
If everything is highly-contrasted and sharp, sort of bluish, and everyone has gaunt bearded faces, it’s El Greco.
Source: imgur and boredpanda
poeticasvisuais:

Art:
If every painting is the face of a uni-browed woman, it’s Frida.
Dappled light but no figures, it’s Monet.
If you see a ballerina, it’s Degas.
If everybody has some sort of body malfunction, then it’s Picasso.
Dappled light and happy party-time people, it’s Renoir.
If everyone is beautiful, naked, and stacked, it’s Michelangelo.
If you see a ballerina, it’s Degas.If it’s something you saw on your acid trip last night, it’s Dali.
If everyone in the paintings has enormous asses, then it’s Rubens.
it’s If the painting could easily have a few chubby Cupids or sheep added (or already has them), it’s Boucher.
If everything is highly-contrasted and sharp, sort of bluish, and everyone has gaunt bearded faces, it’s El Greco.
Source: imgur and boredpanda
poeticasvisuais:

Art:
If every painting is the face of a uni-browed woman, it’s Frida.
Dappled light but no figures, it’s Monet.
If you see a ballerina, it’s Degas.
If everybody has some sort of body malfunction, then it’s Picasso.
Dappled light and happy party-time people, it’s Renoir.
If everyone is beautiful, naked, and stacked, it’s Michelangelo.
If you see a ballerina, it’s Degas.If it’s something you saw on your acid trip last night, it’s Dali.
If everyone in the paintings has enormous asses, then it’s Rubens.
it’s If the painting could easily have a few chubby Cupids or sheep added (or already has them), it’s Boucher.
If everything is highly-contrasted and sharp, sort of bluish, and everyone has gaunt bearded faces, it’s El Greco.
Source: imgur and boredpanda
poeticasvisuais:

Art:
If every painting is the face of a uni-browed woman, it’s Frida.
Dappled light but no figures, it’s Monet.
If you see a ballerina, it’s Degas.
If everybody has some sort of body malfunction, then it’s Picasso.
Dappled light and happy party-time people, it’s Renoir.
If everyone is beautiful, naked, and stacked, it’s Michelangelo.
If you see a ballerina, it’s Degas.If it’s something you saw on your acid trip last night, it’s Dali.
If everyone in the paintings has enormous asses, then it’s Rubens.
it’s If the painting could easily have a few chubby Cupids or sheep added (or already has them), it’s Boucher.
If everything is highly-contrasted and sharp, sort of bluish, and everyone has gaunt bearded faces, it’s El Greco.
Source: imgur and boredpanda
poeticasvisuais:

Art:
If every painting is the face of a uni-browed woman, it’s Frida.
Dappled light but no figures, it’s Monet.
If you see a ballerina, it’s Degas.
If everybody has some sort of body malfunction, then it’s Picasso.
Dappled light and happy party-time people, it’s Renoir.
If everyone is beautiful, naked, and stacked, it’s Michelangelo.
If you see a ballerina, it’s Degas.If it’s something you saw on your acid trip last night, it’s Dali.
If everyone in the paintings has enormous asses, then it’s Rubens.
it’s If the painting could easily have a few chubby Cupids or sheep added (or already has them), it’s Boucher.
If everything is highly-contrasted and sharp, sort of bluish, and everyone has gaunt bearded faces, it’s El Greco.
Source: imgur and boredpanda
poeticasvisuais:

Art:
If every painting is the face of a uni-browed woman, it’s Frida.
Dappled light but no figures, it’s Monet.
If you see a ballerina, it’s Degas.
If everybody has some sort of body malfunction, then it’s Picasso.
Dappled light and happy party-time people, it’s Renoir.
If everyone is beautiful, naked, and stacked, it’s Michelangelo.
If you see a ballerina, it’s Degas.If it’s something you saw on your acid trip last night, it’s Dali.
If everyone in the paintings has enormous asses, then it’s Rubens.
it’s If the painting could easily have a few chubby Cupids or sheep added (or already has them), it’s Boucher.
If everything is highly-contrasted and sharp, sort of bluish, and everyone has gaunt bearded faces, it’s El Greco.
Source: imgur and boredpanda
poeticasvisuais:

Art:
If every painting is the face of a uni-browed woman, it’s Frida.
Dappled light but no figures, it’s Monet.
If you see a ballerina, it’s Degas.
If everybody has some sort of body malfunction, then it’s Picasso.
Dappled light and happy party-time people, it’s Renoir.
If everyone is beautiful, naked, and stacked, it’s Michelangelo.
If you see a ballerina, it’s Degas.If it’s something you saw on your acid trip last night, it’s Dali.
If everyone in the paintings has enormous asses, then it’s Rubens.
it’s If the painting could easily have a few chubby Cupids or sheep added (or already has them), it’s Boucher.
If everything is highly-contrasted and sharp, sort of bluish, and everyone has gaunt bearded faces, it’s El Greco.
Source: imgur and boredpanda
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Letícia Carvalho, Plástico-plástico, Ilha da Boa Viagem - Niterói, 15/12/2013.
Foto: Paulo Batelli
Letícia Carvalho, Plástico-plástico, Ilha da Boa Viagem - Niterói, 15/12/2013.
Foto: Paulo Batelli
Letícia Carvalho, Plástico-plástico, Ilha da Boa Viagem - Niterói, 15/12/2013.
Foto: Paulo Batelli
Letícia Carvalho, Plástico-plástico, Ilha da Boa Viagem - Niterói, 15/12/2013.
Foto: Paulo Batelli
Letícia Carvalho, Plástico-plástico, Ilha da Boa Viagem - Niterói, 15/12/2013.
Foto: Paulo Batelli
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poeticasvisuais:

Valerio Carrubba
poeticasvisuais:

Valerio Carrubba
poeticasvisuais:

Valerio Carrubba
poeticasvisuais:

Valerio Carrubba
poeticasvisuais:

Valerio Carrubba
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poeticasvisuais:

Valerio Carrubba
poeticasvisuais:

Valerio Carrubba
poeticasvisuais:

Valerio Carrubba
poeticasvisuais:

Valerio Carrubba
poeticasvisuais:

Valerio Carrubba
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poeticasvisuais:

Livia Marin, Fictions of a Use, 2200 intervened lipsticks, 2004
poeticasvisuais:

Livia Marin, Fictions of a Use, 2200 intervened lipsticks, 2004
poeticasvisuais:

Livia Marin, Fictions of a Use, 2200 intervened lipsticks, 2004
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replantio, 2013 ::: Letícia Carvalho
corcomigocarcomida.blogspot.com.br
replantio, 2013 ::: Letícia Carvalho
corcomigocarcomida.blogspot.com.br
replantio, 2013 ::: Letícia Carvalho
corcomigocarcomida.blogspot.com.br
replantio, 2013 ::: Letícia Carvalho
corcomigocarcomida.blogspot.com.br
replantio, 2013 ::: Letícia Carvalho
corcomigocarcomida.blogspot.com.br
replantio, 2013 ::: Letícia Carvalho
corcomigocarcomida.blogspot.com.br
replantio, 2013 ::: Letícia Carvalho
corcomigocarcomida.blogspot.com.br
replantio, 2013 ::: Letícia Carvalho
corcomigocarcomida.blogspot.com.br
replantio, 2013 ::: Letícia Carvalho
corcomigocarcomida.blogspot.com.br
cor comigo carcomida
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depredando:

Gigantescos Protestos Brasil Afora - 17 de Junho de 2013As maiores manifestações populares desde o “Fora Collor!”
(Huge Protests All Over Brazil… - June 17th 2013)
1) Rio de Janeiro
2) São Paulo
3) Juiz de Fora (MG)
4) Belém
5) Maceió
06 e 07) Rio
depredando:

Gigantescos Protestos Brasil Afora - 17 de Junho de 2013As maiores manifestações populares desde o “Fora Collor!”
(Huge Protests All Over Brazil… - June 17th 2013)
1) Rio de Janeiro
2) São Paulo
3) Juiz de Fora (MG)
4) Belém
5) Maceió
06 e 07) Rio
depredando:

Gigantescos Protestos Brasil Afora - 17 de Junho de 2013As maiores manifestações populares desde o “Fora Collor!”
(Huge Protests All Over Brazil… - June 17th 2013)
1) Rio de Janeiro
2) São Paulo
3) Juiz de Fora (MG)
4) Belém
5) Maceió
06 e 07) Rio
depredando:

Gigantescos Protestos Brasil Afora - 17 de Junho de 2013As maiores manifestações populares desde o “Fora Collor!”
(Huge Protests All Over Brazil… - June 17th 2013)
1) Rio de Janeiro
2) São Paulo
3) Juiz de Fora (MG)
4) Belém
5) Maceió
06 e 07) Rio
depredando:

Gigantescos Protestos Brasil Afora - 17 de Junho de 2013As maiores manifestações populares desde o “Fora Collor!”
(Huge Protests All Over Brazil… - June 17th 2013)
1) Rio de Janeiro
2) São Paulo
3) Juiz de Fora (MG)
4) Belém
5) Maceió
06 e 07) Rio
depredando:

Gigantescos Protestos Brasil Afora - 17 de Junho de 2013As maiores manifestações populares desde o “Fora Collor!”
(Huge Protests All Over Brazil… - June 17th 2013)
1) Rio de Janeiro
2) São Paulo
3) Juiz de Fora (MG)
4) Belém
5) Maceió
06 e 07) Rio
depredando:

Gigantescos Protestos Brasil Afora - 17 de Junho de 2013As maiores manifestações populares desde o “Fora Collor!”
(Huge Protests All Over Brazil… - June 17th 2013)
1) Rio de Janeiro
2) São Paulo
3) Juiz de Fora (MG)
4) Belém
5) Maceió
06 e 07) Rio
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blackpoemusic:

How much is Brazilian World Cup?
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letmypeopleshow:

Shock of the Nude: 
The Venice Biennale shows how naked women in art have come a long way—maybe
Titian’s languid Venus of Urbino, painted in 1538, doesn’t get out of Florence much, but she made a special trip to Venice to meet one of her most notorious descendants—Manet’s Olympia, the 1863 painting of an insouciant prostitute that scandalized Paris. The two reclining nudes share a wall in the Manet show at the Ducal Palace.
Meanwhile, across the lagoon, on San Giorgio Maggiore, Marc Quinn picks up the conversation with a other nude who defies standards of beauty and decorum. His enormous inflatable sculpture, titled Breath, depicts a pregnant Alison Lapper, a paraplegic who kept her baby despite the challenges,
And back in Biennale’s main show, “The Encyclopedic Palace,” Austrian nonagenarian Maria Lassnig is poised to hijack the conversation, whether she’s invited or not.
Read more about trends in the Biennale
From top: Titian, Venus of Urbino, 1538, oil on canvas, Galleria degli Uffizi, Florence. Courtesy Ministero per i Beni e le Attività Culturali; Édouard Manet, Olympia, 1863, oil on canvas, Musée d’Orsay, Paris. © Musée d’Orsay, Dist. RMN-Grand Palais / Patrice Schmidt; Marc Quinn, Breath, 2012, double layer polyester and high capacity air pumps. Courtesy Marc Quinn studio; Maria Lassnig, Du oder Ich, 2005, oil on canvas, Courtesy Friedrich Christian Flick Collection.
letmypeopleshow:

Shock of the Nude: 
The Venice Biennale shows how naked women in art have come a long way—maybe
Titian’s languid Venus of Urbino, painted in 1538, doesn’t get out of Florence much, but she made a special trip to Venice to meet one of her most notorious descendants—Manet’s Olympia, the 1863 painting of an insouciant prostitute that scandalized Paris. The two reclining nudes share a wall in the Manet show at the Ducal Palace.
Meanwhile, across the lagoon, on San Giorgio Maggiore, Marc Quinn picks up the conversation with a other nude who defies standards of beauty and decorum. His enormous inflatable sculpture, titled Breath, depicts a pregnant Alison Lapper, a paraplegic who kept her baby despite the challenges,
And back in Biennale’s main show, “The Encyclopedic Palace,” Austrian nonagenarian Maria Lassnig is poised to hijack the conversation, whether she’s invited or not.
Read more about trends in the Biennale
From top: Titian, Venus of Urbino, 1538, oil on canvas, Galleria degli Uffizi, Florence. Courtesy Ministero per i Beni e le Attività Culturali; Édouard Manet, Olympia, 1863, oil on canvas, Musée d’Orsay, Paris. © Musée d’Orsay, Dist. RMN-Grand Palais / Patrice Schmidt; Marc Quinn, Breath, 2012, double layer polyester and high capacity air pumps. Courtesy Marc Quinn studio; Maria Lassnig, Du oder Ich, 2005, oil on canvas, Courtesy Friedrich Christian Flick Collection.
letmypeopleshow:

Shock of the Nude: 
The Venice Biennale shows how naked women in art have come a long way—maybe
Titian’s languid Venus of Urbino, painted in 1538, doesn’t get out of Florence much, but she made a special trip to Venice to meet one of her most notorious descendants—Manet’s Olympia, the 1863 painting of an insouciant prostitute that scandalized Paris. The two reclining nudes share a wall in the Manet show at the Ducal Palace.
Meanwhile, across the lagoon, on San Giorgio Maggiore, Marc Quinn picks up the conversation with a other nude who defies standards of beauty and decorum. His enormous inflatable sculpture, titled Breath, depicts a pregnant Alison Lapper, a paraplegic who kept her baby despite the challenges,
And back in Biennale’s main show, “The Encyclopedic Palace,” Austrian nonagenarian Maria Lassnig is poised to hijack the conversation, whether she’s invited or not.
Read more about trends in the Biennale
From top: Titian, Venus of Urbino, 1538, oil on canvas, Galleria degli Uffizi, Florence. Courtesy Ministero per i Beni e le Attività Culturali; Édouard Manet, Olympia, 1863, oil on canvas, Musée d’Orsay, Paris. © Musée d’Orsay, Dist. RMN-Grand Palais / Patrice Schmidt; Marc Quinn, Breath, 2012, double layer polyester and high capacity air pumps. Courtesy Marc Quinn studio; Maria Lassnig, Du oder Ich, 2005, oil on canvas, Courtesy Friedrich Christian Flick Collection.
letmypeopleshow:

Shock of the Nude: 
The Venice Biennale shows how naked women in art have come a long way—maybe
Titian’s languid Venus of Urbino, painted in 1538, doesn’t get out of Florence much, but she made a special trip to Venice to meet one of her most notorious descendants—Manet’s Olympia, the 1863 painting of an insouciant prostitute that scandalized Paris. The two reclining nudes share a wall in the Manet show at the Ducal Palace.
Meanwhile, across the lagoon, on San Giorgio Maggiore, Marc Quinn picks up the conversation with a other nude who defies standards of beauty and decorum. His enormous inflatable sculpture, titled Breath, depicts a pregnant Alison Lapper, a paraplegic who kept her baby despite the challenges,
And back in Biennale’s main show, “The Encyclopedic Palace,” Austrian nonagenarian Maria Lassnig is poised to hijack the conversation, whether she’s invited or not.
Read more about trends in the Biennale
From top: Titian, Venus of Urbino, 1538, oil on canvas, Galleria degli Uffizi, Florence. Courtesy Ministero per i Beni e le Attività Culturali; Édouard Manet, Olympia, 1863, oil on canvas, Musée d’Orsay, Paris. © Musée d’Orsay, Dist. RMN-Grand Palais / Patrice Schmidt; Marc Quinn, Breath, 2012, double layer polyester and high capacity air pumps. Courtesy Marc Quinn studio; Maria Lassnig, Du oder Ich, 2005, oil on canvas, Courtesy Friedrich Christian Flick Collection.
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PROPANONA 
ação para a catalogação de cores
(((BOOM))) - 21.12.12 - Praia Vermelha.RJ
https://www.facebook.com/pages/Global-BOOM-Brazil/163053933788770
PROPANONA 
ação para a catalogação de cores
(((BOOM))) - 21.12.12 - Praia Vermelha.RJ
https://www.facebook.com/pages/Global-BOOM-Brazil/163053933788770
PROPANONA 
ação para a catalogação de cores
(((BOOM))) - 21.12.12 - Praia Vermelha.RJ
https://www.facebook.com/pages/Global-BOOM-Brazil/163053933788770
PROPANONA 
ação para a catalogação de cores
(((BOOM))) - 21.12.12 - Praia Vermelha.RJ
https://www.facebook.com/pages/Global-BOOM-Brazil/163053933788770
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